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Chelo Loureiro, Emilio Aragón Team on Animated ‘Valentina’ (EXCLUSIVE)
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’Diamantino’s’ Gabriel Abrantes Talks About “The Marvelous Misadventures of The Stone Lady”
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Morelia’s Daniela Michel Presents Four Standout Mexican Shorts at Critics’ Week
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Fedor Bondarchuk Drops Teaser for ‘Attraction 2’ (EXCLUSIVE)
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Gkids Takes North American Rights for ‘Weathering With You’
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“Serial (Bad) Weddings 3′ in the Works With Romain Rojtman, UGC, Orange Studio (EXCLUSIVE)
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Transilvania Film Fest Launches New SVOD Platform
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Locarno Open Doors Platform to Focus on 7 Southeast Asian Countries, Mongolia
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Studiocanal Sells Most of World on ‘Around the World, ’ ‘Gunpowder Milkshake’ (EXCLUSIVE)
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‘Hidden Life’s’ August Diehl Stars in Tom Schreiber’s ‘Beautiful Souls,’ from Sutor Kolonko (EXCLUSIVE)
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Cannes Film Review: Abel Ferrara’s ‘Tommaso’
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Claude Barras’ ‘Sauvages’ Pitches Potential Partners at Cannes Film Market
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Pop Up Film Residency Announces New Talents, Partners for 2019
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Writers Guild Agrees to Resume Meetings With Talent Agencies
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TV Review: ABC’s Live ‘All in the Family’ and ‘The Jeffersons’
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Film News Roundup: ‘Super Pets’ Movie Moves Back a Year, Avoiding ‘John Wick 4’
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Fleetwood Mac’s Lindsey Buckingham Lists Brentwood Estate
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FYI Brand Group Launches Social Impact Division
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Judge in Writers Guild Suit Against Agencies Replaced Again
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TV News Roundup: Bravo Announces First Ever BravoCon
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Agencies Offer to Restart Talks With WGA to End Packaging Fee Standoff
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Quentin Tarantino Documentary ‘QT8: The First Eight’ Scores Sales (EXCLUSIVE)
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Film Review: ‘Asbury Park: Riot, Redemption, Rock ‘N Roll’
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FX to Develop Series Adaptation of Akwaeke Emezi’s ‘Freshwater’ With Tamara P. Carter (EXCLUSIVE)
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